Hair brushes. A lot of them. Loads, honestly. An oldie, done in Cinema 4D, back when one artist modelled the brushes and I did everything else: asset prep, cameras, animation, lights, the lot. The tricky bit was showing that many brushes without it becoming a carousel of chaos — a series of smooth animations and transitions, so each brush gets its moment. For the graphics, I used Substance Painter, because the client wanted those custom bits positioned "literally almost perfect" — their words, and honestly, fair enough. Don't blame them.
Project Categories: RND / CGI / Advertising / Rendering / Texturing & Materials / Animation / Motion / Assets Preparation
Software Used: Cinema 4D, Redshift, Photoshop, After Effects
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